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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cent vues de Paris / 100 views of Paris in lithography / アカギの版画パリ百景</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>&lt;p&gt;Cet album présente 100 vues de Paris, que j’ai réalisées dans le cadre de mon travail d’estampes. Cette deuxième édition contient en fait 105 illustrations, dont chacune est commentée par une note que j’ai rédigée à l’attention des collectionneurs du Paris d’AKAGI. Certains m’ont dit que ce recueil pouvait constituer un très bon guide sur Paris, mais mon idée n’est pas du tout de faire un guide ! Je conçois ce recueil davantage comme les mémoires d’un Japonais à Paris en 2014, retracées sous forme de 100 vues de la capitale. La traduction peut être en anglais ou en français, mais je souhaite que l’original en japonais figure en dessous.&lt;/p&gt;</text>
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                <text>This book contains my special selection of 100 views of Paris in lithography. The selection was made by myself from my completed works and may therefore be regarded as my specially edited private collection. I have almost 500 original drawings of Paris after my 40 years of work. The 100 prints I selected for this book were taken from over 100 prints of those 500 drawings. I did not print them especially for this book like Hiroshige’s “100 famous views of Edo” or Hokusai’s “100 famous views of Mount Fuji” so the title of this book may not be appropriate perhaps. This book is rather like a series of notes stating why I printed these particular views. I hope this book will be appreciated by those who collect my work.</text>
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                <text>パリの名所を版画にして百景集めたのではない、今までわたくしの 制作したパリ版画の中から、百景を選んで集めたごく私家版的なもの が、この本である。毎日、常日頃続けて四十年間で五百枚近くなった、パリの街角の素 描原画の中から、版画に制作したものが百枚以上あって、その中から 選んだので、広重江戸百景とか、北斎の富嶽百景のシリーズのような、そのために改めて版画制作したものではないから、こういう題名は適 当でないのかも知れないが、遠い外国のこの都会を、何故この街角を&#13;
版画にしたのか、メモ帖のようなものである。きっとコレクターのみな さんが、便利でいちばん喜んでくださると思う。</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Kojiro Akagi (1934-2021)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1296">
                <text>Fonds de dotation Kojiro AKAGI</text>
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    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Place des Pyramides / Place des Pyramides / ピラミッド広場</text>
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        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
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            <elementText elementTextId="371">
              <text>Sous les arcades de la rue de Rivoli, on trouve des boutiques de souvenirs. C’est aussi le lieu qui sert de départ et d’arrivée pour les cars touristiques. L’endroit regorge en permanence de touristes. Cette rue a une longue histoire. Elle est construite sous l’ordre de Napoléon 1er, qui y limite volontairement le type de commerce afin de respecter l’harmonie et la beauté des façades. Bien qu’elle ne figure pas sur mon oeuvre, une statue dorée de Jeanne d’Arc trône au centre de cette place. L’histoire de Jeanne d’Arc remonte à 1492, lorsque l’armée royale française, rassemblée dans la vallée de la Loire, est venue combattre l’armée anglaise occupant le palais du Louvre. À la tête de l’armée, Jeanne d’Arc, blessée à la cuisse par une flèche, doit rebrousser chemin. Ouverts au public en 1993, les sous-sols du Carrousel du Louvre permettent de voir d’authentiques fossés et murs d’enceinte de Paris, parfaitement conservés.</text>
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              <text>There are many souvenir shops in a shopping arcade along Rue Rivori. Sightseeing bus stops are to be found here too so it is always busy with tourists. The buildings were built consistently as ordered by Napoleon I and only certain professionals were allowed to live there in order to maintain its sophisticated scenery. I did not include it in this work but there is a golden statue of Joan of Arc in the centre of the Place. In 1492, when the British Army captured the Louvre Royal Place, the French Army in the Loire region launched an attack to retake Paris. Joan of Arc was a commander of this liberation army. An arrow shot by the British Army hit her leg and her army was withdrawn. In the basement of the Carousel du Louvre shopping mall, the moat and the old castle walls of that era were excavated. They are all carefully arranged and they have been on display since 1993.</text>
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              <text>リボリー通りのアーケードは、お土産屋さんが並び、観光バスの発着所もこの辺り、何時も旅行者で溢れている。この通りはナポレオン一世の命令で、揃えて建てられたのだから、歴史は古く、入居者の職業まで、美観のために制限されていた。絵には入っていないが、この広場の中央に、金色のジャンヌ・ダルクの像が建っているのは、一四二九年、英国軍の守るルーブル王宮に、ロワール河流域に構えるフランス王の軍隊が、パリ取戻しのために攻めてきて、対陣したのである。解放軍隊長のジャンヌ・ダルクは、ここで矢に当たって足に怪我をして、引き上げた。カルーセル・デュ・ルーブルの地下構内にはいると、当時の壕や城壁の本物が発掘され整えられて、一九九三年からオープンされ、見ることができる。</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Kojiro Akagi (1934-2021)</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="375">
              <text>Avril 1991 / April 1991</text>
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          </elementTextContainer>
        </element>
        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
          <elementTextContainer>
            <elementText elementTextId="376">
              <text>Fonds de dotation Kojiro AKAGI</text>
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          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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            <elementText elementTextId="377">
              <text>Sérigraphie, Atelier Del Arco, 100 tirages + 9 E.A. romain, sur papier Arches 49,5 x 65 cm.</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Pyramides, Place, Sérigraphie</text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Sérigraphie</text>
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      <name>Place</name>
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      <name>Pyramides</name>
    </tag>
    <tag tagId="32">
      <name>Sérigraphie</name>
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