https://kojiroakagi.com/gallery/files/original/a273be7b7a344f514aff627ac6b9da3e.png 5ab180e867647c190bfc09b035819476 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cent vues de Paris / 100 views of Paris in lithography / アカギの版画パリ百景 Description An account of the resource <p>Cet album présente 100 vues de Paris, que j’ai réalisées dans le cadre de mon travail d’estampes. Cette deuxième édition contient en fait 105 illustrations, dont chacune est commentée par une note que j’ai rédigée à l’attention des collectionneurs du Paris d’AKAGI. Certains m’ont dit que ce recueil pouvait constituer un très bon guide sur Paris, mais mon idée n’est pas du tout de faire un guide ! Je conçois ce recueil davantage comme les mémoires d’un Japonais à Paris en 2014, retracées sous forme de 100 vues de la capitale. La traduction peut être en anglais ou en français, mais je souhaite que l’original en japonais figure en dessous.</p> This book contains my special selection of 100 views of Paris in lithography. The selection was made by myself from my completed works and may therefore be regarded as my specially edited private collection. I have almost 500 original drawings of Paris after my 40 years of work. The 100 prints I selected for this book were taken from over 100 prints of those 500 drawings. I did not print them especially for this book like Hiroshige’s “100 famous views of Edo” or Hokusai’s “100 famous views of Mount Fuji” so the title of this book may not be appropriate perhaps. This book is rather like a series of notes stating why I printed these particular views. I hope this book will be appreciated by those who collect my work. パリの名所を版画にして百景集めたのではない、今までわたくしの 制作したパリ版画の中から、百景を選んで集めたごく私家版的なもの が、この本である。毎日、常日頃続けて四十年間で五百枚近くなった、パリの街角の素 描原画の中から、版画に制作したものが百枚以上あって、その中から 選んだので、広重江戸百景とか、北斎の富嶽百景のシリーズのような、そのために改めて版画制作したものではないから、こういう題名は適 当でないのかも知れないが、遠い外国のこの都会を、何故この街角を 版画にしたのか、メモ帖のようなものである。きっとコレクターのみな さんが、便利でいちばん喜んでくださると思う。 Creator An entity primarily responsible for making the resource Kojiro Akagi (1934-2021) Rights Information about rights held in and over the resource Fonds de dotation Kojiro AKAGI Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Colonne Morris / Colonne Morris / コロン・モリス Subject The topic of the resource Sérigraphie Description An account of the resource En 1839, Paris autorise ces colonnes publicitaires, mais on raconte que la première, la colonne de Rambuteau, date de 1842. Aujourd’hui, il en existe encore beaucoup à Paris. Ce modèle, appelé colonne Morris, apparait vers 1868, du nom de la société Morris, une agence de communication qui réalisait des affiches de théâtre. Selon l’époque, il en existe de différentes tailles ou formes, mais la colonne Morris garde toujours son toit très caractéristique en forme de tulipe qui fait partie du paysage parisien depuis le 19e siècle. Toutes les semaines on peut y voir les affiches des nouveautés qui se jouent dans les nombreuses salles de théâtre et de cinéma. There are two ideas about the time these advertising pillars were authorised: I have heard that it was in 1839 or perhaps it was in 1842 the pillars appeared in Rambuteau. The pillars called Colonne Morris appeared in 1868 (the first year of the Meiji period) and many of them adorn the city of Paris still today. Morris was the name of an advertisement agency which manufactured old theatre posters. Depending on the period the pillars come in many shapes and sizes but the tradition of the tulip-like shape of the roof hasn’t changed since the 19th century and they decorate the streets of Paris flamboyantly. Every week advertisements of many films and theatres are posted on them. パリ市内に広告の張り紙の塔が許可されたのが、一八三九年からだとか、または一八四二年のランビュトーの塔からだと言われる。一八六八年（明治元年）頃から、コロン・モリス（モリスの塔）と呼ばれ、現在もパリ市内に沢山建っている広告塔が登場する。モリスという会社が昔の劇場ポスター製作の、広告代理店だった。時代と共に、いろいろなサイズや形があるが、チューリップの様な屋根の形の伝統は十九世紀から変わらないで、パリの街角を華やかに彩る。毎週沢山ある映画や劇場の広告が貼り出される。 Creator An entity primarily responsible for making the resource Kojiro Akagi (1934-2021) Date A point or period of time associated with an event in the lifecycle of the resource Décembre 2002 / December 2002 Rights Information about rights held in and over the resource Fonds de dotation Kojiro AKAGI Format The file format, physical medium, or dimensions of the resource Sérigraphie, Atelier Del Arco, 50 tirages + 20 E.A. romain + 5 E.A., sur papier Arches 16,3 x 21,2 cm. Type The nature or genre of the resource Sérigraphie Sérigraphie